![]() Jazz historians and musicians can therefore conveniently trace the evolution of jazz by charting its preeminent styles-with a due reckoning of subtle, long-term developments-almost decade by decade. Consequently, its varied temporal currents-including ragtime, Dixieland, blues, Chicago jazz, swing, boogie-woogie, Kansas City jazz, bop, hard bop, and cool jazz-have enjoyed their greatest popularity when the general public has undergone significant social and generational changes (among them altered racial attitudes), when dominant musical styles become stale, or when public taste overtakes the products of jazz musicians’ ingenuity. Intended as a “four-letter” word, always intentionally shocking to the non-jazz musical world, jazz derived from and thrived upon dispute and divisions among its own devotees as well as upon a measure of social disrepute. First Newport Jazz Festival Is Held (July 17-18, 1954) Newport Jazz Festival Is Held, First (July 17-18, 1954) Jazz Festival Is Held, First Newport (July 17-18, 1954) Festival Is Held, First Newport Jazz (July 17-18, 1954) Newport Jazz Festival Music jazz Jazz Newport Jazz Festival Newport Jazz Festival Music jazz Jazz Newport Jazz Festival North America July 17-18, 1954: First Newport Jazz Festival Is Held United States July 17-18, 1954: First Newport Jazz Festival Is Held Music July 17-18, 1954: First Newport Jazz Festival Is Held Christian, Charlie Young, Lester Eldridge, Roy Blanton, Jimmy Parker, Charlie Gillespie, Dizzy Tristano, Lennie Mulligan, Gerry Peterson, Oscar Davis, Miles While purists and some music historians exclude all such styles but Dixieland from classification as early jazz, performers in each instance knew that it was still jazz that they were singing or playing. It emerged into national prominence as ragtime, blues, and Dixieland music, and the various styles had become widely known as “jazz” by 1917. Louis, Memphis, Kansas City, Oklahoma City, San Francisco, and New York City from the 1880’s through the early 1900’s. Jazz began in parochial obscurity as an apparent musical and cultural eccentricity endemic to groups of musicians in New Orleans, St. The fortunes and visibility of jazz’s varied styles and players, and public acceptance of them, have swung almost cyclically since the 1890’s. MichaelwhiteJune 12 (Sunday afternoon) New Orleans Day on the Green – Dry Creek Vineyard, 5 – 8 p.m.ĭr.The 1954 Newport Jazz Festival symbolized jazz’s popular and commercial revival and marked another stage in its curious and exciting evolution. June 12 (Sunday morning) Marcus Shelby Jazz Orchestra with special guests Tiffany Austin and Craig Handy “Beyond the Blues” free concert - Raven Theater, 11 a.m. June 11 (Saturday concert) Fred Hersch and Anat Cohen Duo - Raven Performing Arts Theater, 7:30 p.m. June 10 & 11 (Friday and Saturday nights) Babatunde Lea and Friends - Hotel Healdsburg Lobby, 9 p.m. June 10 (Friday) Joey Alexander Trio - Jackson Theater, Santa Rosa, 8 p.m. June 9 (Thursday) Claire Daly Quintet “Reinventing Motown”- Paul Mahder Gallery, 7 & 9 p.m. ![]() June 8 (Wednesday) Charlie Hunter Trio - Spoonbar, 7:30 – 10:30 p.m. June 7 (Tuesday) Grupo Falso Baiano - Healdsburg Plaza free concert, 6 – 8 p.m. Lady Bianca with keyboardJune 6 (Monday) Kevin Fitzsimmons Quartet - Dry Creek Kitchen, 6 p.m. June 5 (Sunday morning) Blues Brunch with Lady Bianca - Sonoma-Cutrer Winery 11 a.m. June 4 (Saturday afternoon) Bobbe Norris and Larry Dunlap – Seasons of the Vineyard, 2 p.m. ![]() June 3 – (Friday) Julian Lage Trio – Healdsburg SHED, 7 & 9 p.m. Jazz concert features nationally known guest instrumental jazz artists backed by the Redbud Orchestra comprised of area professional musicians. ![]()
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